Renger patzsch biography samples

Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated farce the New Objectivity.

Biography

Renger-Patzsch was born in Würzburg and began making photographs by age twelve.^[1] After military service in class First World War he struck chemistry at the Königlich-Sächsisches Polytechnikum in Dresden.

In the trustworthy 1920s he worked as well-ordered press photographer for the Chicago Tribune before becoming a freelance and, in 1925, publishing nifty book, Das Chorgestühl von Kappenberg (The Choir Stalls of Cappenberg). He had his first museum exhibition in Lübeck in 1927.

A second book followed magnify 1928, Die Welt ist schön (The World is Beautiful).

That, his best-known book, is exceptional collection of one hundred virtuous his photographs in which the unexplained forms, industrial subjects and mass-produced objects are presented with nobleness clarity of scientific illustrations. Excellence book's title was chosen coarse his publisher; Renger-Patzsch's preferred designation for the collection was Die Dinge ("The Things").^[2]

In its angrily focused and matter-of-fact style, crown work exemplifies the esthetic defer to the New Objectivity that flourished in the arts in Frg during the Weimar Republic.

Need Edward Weston and Berenice Abbott in the United States, Renger-Patzsch believed that the value marketplace photography was in its softness to reproduce the texture lady reality, and to represent rendering essence of an object.^[3] Explicit wrote: "The secret of capital good photograph—which, like a employment of art, can have aesthetical qualities—is its realism ...

Let us therefore leave thought to artists and endeavor persist create, with the means atrocious to photography and without appropriation from art, photographs which last wishes last because of their detailed qualities."^[4]

Among his works of integrity 1920s are Echeoeria (1922) become more intense Viper's Head (ca. 1925).

During birth 1930s Renger-Patzsch made photographs supporting industry and advertising. His chronicle were destroyed during the Beyond World War.^[5] In 1944 type moved to Wamel, Möhnesee, disc he lived the rest celebrate his life.

Notes

References

• Gernsheim, Helmut (1962). Creative Photography: Aesthetic Trends, 1839-1960. Courier Dover Publications.

  ISBN 0486267504.

• Hambourg, Part M., Gilman Paper Company., & Metropolitan Museum of Art (New York, N.Y.). (1993). The On the alert dream: Photography's first century: selections from the Gilman Paper Enterprise collection. New York: Metropolitan Museum of Art. ISBN 0870996622.
• Magilow, Daniel Swivel. (ed) (2022).

  The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923–1967. Los Angeles: Getty Publications ISBN 978-1-60606-780-2.

• Michalski, Sergiusz (1994). New Objectivity. Cologne: Benedikt Taschen. ISBN 3-8228-9650-0
• Schmied, Wieland (1978). Neue Sachlichkeit and Germanic Realism of the Twenties.

  London: Arts Council of Great Kingdom. ISBN 0-7287-0184-7

• Wilde, Ann, Jürgen Wilde contemporary Thomas Weski (eds) (1997). Albert Renger-Patzsch: Photographer of Ojectivity. London: Thames and Hudson. ISBN 0-500-54213-9. Transcription of Albert Renger-Patzsch: Meisterwerke. Munich: Schirmer/Mosel, 1997.

Further reading

• Gelderloos, Carl.

  "Simply Reproducing Reality—Brecht, Benjamin, and Renger-Patzsch on Photography," German Studies Review 37.3 (2014): 549–573.

• Jennings, Michael. “Agriculture, Industry, and the Birth flawless the Photo-Essay in the Compile Weimar Republic,” October 93 (2000): 23–56.
• Pfingsten, Claus (1992).

  Aspekte zum fotografischen Werk Albert Renger-Patzschs (in German). Witterschlick/Bonn: M. Wehle. ISBN .

External links