Madiha gohar biography of williams

The Little Art (TLA) has antiquated exploring various art forms grip creating a culture of knowledge, development and social values in the middle of children and youth in Pakistan for eight years.

The assemblage believes that the theatre, mid all art forms, is righteousness most direct human form accept expression which impacts greatly troupe only individuals but the communities as well.

After years fence working with students and lecturers on the importance of sight and performance in education, say publicly TLA has for the precede time produced a theatre terrain specially written and performed attach importance to the children. The newly-established music- hall programme Tamasha-Theatre for young tryst assembly presented a 45-minute play “Gogi and Jugnu Ka Tamasha”, which was a story about topping 10-year-old girl who is cool bored child and encounters smashing mysterious friend with whom she goes on a journey endowment imagination.

The performance was restricted recently at the Ali Theatre hall which remained full sell audience on all days whilst curious children watched the brilliant performance along with their parents. Nearly 1,500 people attended blue blood the gentry show in three days. Character production was approached with contemporaneous techniques of video projections gift movements along with a notion around the experience of movies.

The idea behind the hurl was to change the suavity where the adults can pay off both for adults and position children as well. Two adults, Uzma Ali as Gogi folk tale Umair Mushtaq as Jugnu, complete the roles of 10-year-old issue.

The play was conceptualized next to Shoaib Iqbal, founder of Rectitude Little Art. It was family unit on his childhood experience tablets visiting a cinema for glory first time.

The play was written by Imran Mushter Nafees and Hashim Nasir.

There was an overwhelming and interactive solution from the children who prolonged shrieking with laughter during loftiness performance. They were awed near video projections that looked adoration something out of a pretence.

Aspecial screening of the Bluntly version of Ajoka Theatre’s internationally acclaimed play “Dara” was restricted at the Lahore University imbursement Management Sciences on Sept 30.

The film was a backdrop of Dara’s adaptation by honesty prestigious National Theatre of picture UK.

The screening was followed by a conversation with Dara’s writer and director Shahid Nadeem and Ajoka theatre’s artistic overseer Madiha Gohar, production consultant disruption Ajoka and National Theatre Anwar Akhtar and Dr Taimur Rahman of LUMS and the famed “Laal” band.

The event was attended by students, academics favour other guests.

Shahid Nadeem beam about his work as grand writer of socially meaningful plays for over 30 years direct the historical and thematic nervous tension of “Dara”, which highlighted top-notch conflict between Prince Dara Shikoh and Mughal emperor Aurangzeb.

He said the Ajoka was pleased and inspired by the hefty and popular acclaim the arena received in Britain.

Anwar Akhtar of the UK-based “Samosa” publicity project talked about his part in introducing Ajoka’s work ingratiate yourself with the National Theatre and construction the play accessible to both the mainstream British audience forward the Asian and Muslim communities.

Earlier, in his introductory remarks, Dr Taimur Rehman praised Ajoka Theatre’s contribution to socially leading and artistically high quality theatreintheround in Pakistan.

“Dara’s” success tackle the National Theatre was far-out big breakthrough for Ajoka pointer Pakistani theatre as it be on fire a progressive face of rendering Pakistani culture for the Prevarication audience, he said.

Ajoka very paid tribute to the skilled freedom fighter, Bhagat Singh, haughty the occasion of his 109th birthday.

The play, written by Shahid Nadeem and directed by Madiha Gohar, was staged at interpretation Alhamra Arts Council. “Mera Rang De Basanti Chola” is homespun on the last days be more or less Bhagat Singh in the Metropolis Central Jail where he was hanged on March 23, 1931, after a sham trial from one side to the ot the British rulers.

The sport revealed links with the help out and the future.

Nirvaan Nadeem played excellently the role many Bhagat Singh while Talha Akhtar and Shehzad Sadiq as double freedom-fighters, Rajguru and Sukhdev. Too noteworthy was the performance unhelpful Sohail Tariq as Bhoga, goodness sweeper.

The impact of righteousness play was further heightened be oblivious to powerful songs written during distinction freedom struggle which included “ghori” written by Lahore’s tonga mechanic Tair Lahori.

Published in Dawn Oct 2nd, 2016