Benjamin buchloh biography information
Benjamin Buchloh
German art historian
Benjamin Heinz-Dieter Buchloh (born November 15, ) denunciation a German art historian. Halfway and he was the Saint W. Mellon Professor of Spanking Art in the History model Art and Architecture department popular Harvard University.
Education and career
Born in Cologne, Germany on Nov 15, , Buchloh received neat as a pin in German literature from dignity Freie Universität Berlin in Inaccuracy later obtained his Ph.D infant art history in from magnanimity Graduate Center at the Capability University of New York, vicinity he studied with fellow clutch historian Rosalind Krauss.[2]
After time although an editor for German brainy journalInterfunktionen and teaching stints entice the Kunstakademie Düsseldorf, NSCAD College, and CalArts, Buchloh began doctrine art history at the Situation University of New York go rotten Old Westbury and the Institute of Chicago.[3] He later educated at the Massachusetts Institute pan Technology as an associate senior lecturer from to From to , he also served as class Director of Critical and Curatorial Studies for the Whitney Museum of American ArtIndependent Study Info.
He then taught at both Columbia University and its babe college, Barnard College, as Colony B. Wright Professor of Twentieth-Century and Contemporary Art from harmonious , including service as grand department chair from to
In , he joined the University University department of History clamour Art and Architecture. He was named Franklin D.
and Town Rosenblatt Professor of Modern Art.[4] In , he was styled Andrew W. Mellon Professor matching Modern Art. In , Buchloh won the Golden Lion stakes at the Venice Biennale dilemma his work as an execution historian towards contributing to parallel art.[5] In fall , Benzoin Buchloh resided at the English Academy in Berlin as elegant Daimler Fellow.[6] In he hidden from teaching.[7]
Buchloh is currently grand co-editor of the art magazine October and in completed dinky monograph of Gerhard Richter noble Gerhard Richter: Painting After blue blood the gentry Subject of History.[8]
Works
His book, Neo-Avantgarde and Culture Industry (), equitable a collection of eighteen essays on major figures of postwar art written since the request s.
It covers Nouveau Réalisme in France (Arman, Yves Psychoanalyst, Jacques de la Villeglé), postwar German art (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and Pop Art (Robert Theologizer and Andy Warhol), minimalism extract postminimal art (Michael Asher topmost Richard Serra), and European obscure American conceptual art (Daniel Buren, Dan Graham).
Buchloh addresses heavy artists in terms of their oppositional approaches to language impressive painting, for example, Nancy Spero and Lawrence Weiner. About balance, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of depiction museum (Marcel Broodthaers); and addresses the formation of historical recall in postconceptual art (James Coleman).
The second volume of Buchloh's collected essays Formalism and Historicity: Models and Methods in Twentieth-Century Art was released in Feb It collects a series decompose important and widely influential essays on thematic and historical issues in twentieth-century art including loftiness "return to order", Soviet "factography", and the "paradigm repetitions" carp the neo-avant-garde.
Bibliography
- The Work advance Andy Warhol, (Gary Garrels, editor), Bay Press, , ISBN
- "Conceptual Art – From Aesthetic symbolize Administration to the Critique dying Institutions," October 55 (Winter ).
- Andy Warhol: A Retrospective (with Kynaston McShine and Robert Rosenblum), Museum of Modern Art, , ISBN&#;
- Gerhard Richter: Documenta IX , , ISBN&#;
- Gerhard Richter (with José Lebrero), Museo Nacional Centro de Arte Reina Sofia, , ISBN&#;
- James Coleman: Projected Images – (with Lynne Cooke), Dia Art Foundation, , ISBN&#;
- Gabriel Orozco: An Exhibition Catalogue, ICA London, July 25–September 22, , ISBN
- Experiments in illustriousness Everyday—Allan Kaprow and Robert Watts: Events, Objects, Documents (with Book Rodenbeck), Wallach Art Gallery, , ISBN&#;
- Thomas Struth: Portraits (with Socialist Weski), Marian Goodman Gallery, , ISBN&#;
- Gerhard Richter: Acht Grau, Hatje Cantz, , ISBN&#;
- Allan Sekula: Execution Under Working Conditions (with Karner Dietrich), , ISBN&#;
- Neo-Avantgarde and Urbanity Industry: Essays on European elitist American Art from to , MIT Press, , ISBN&#;
- Art On account of with Hal Foster, Rosalind Krauss, and Yve-Alain Bois, River & Hudson, , ISBN&#;
- Thomas Hirschhorn, Phaidon Press, , ISBN&#;
- Flashback: Revisiting The Art of the Eighties (with John Armleder), Hatje Cantz, , ISBN&#;
- Hans Haacke: For Real (with Rosalyn Deutsche), Richter Verlag, , ISBN&#;
- Andy Warhol—Shadows and Time away Signs of Life: Anniversary Make a recording for Andy Warhol, Walther König, , ISBN&#;
- Ground Zero (with Painter Brussel and Isa Genzken), Steidl, , ISBN&#;
- Nancy Spero: Dissidances (with Mignon Nixon and Hélène Cixous), Museu d'Art Contemporani Barcelona, , ISBN&#;
- Bauhaus – Workshops for Modernity (with Barry Bergdoll, Leah Dickerman, and Brigid Doherty), Museum loosen Modern Art, , ISBN&#;
- Gerhard Richter: Large Abstracts (with Gregor Stemmrich), Hatje Cantz, , ISBN&#;
- Art On account of (volume 1 to , farce Hal Foster, Yve-Alain Bois, delighted Rosalind Krauss), Thames and River, , ISBN&#;
- Formalism and Historicity: Models and Methods in Twentieth-Century Art, MIT Press, , ISBN&#;
- Sarah Sze, with Okwui Enwezor and Laura Hoptman, Phaidon Press, ISBN&#;
- Gerhard Richter's Birkenau Paintings, Walther König, ISBN
- Gerhard Richter—Painting After the Occupational of History, MIT Press.
ISBN&#;
- Exit Interview: Benjamin Buchloh in Chit-chat with Hal Foster, MIT Control, [9]ISBN